Saturday, 19 November 2016

The return of real film and real cinema in 2016

The best arts news of the year for me is the opening of a new 65mm processing facility in London. This means the return of real films made with real film. And by real film I mean the pinnacle process of film art - 70mm, the format of 2001, A Space Odyssey and Lawrence of Arabia. Films shot in 65mm (the additional 5mm are to add 6-channels of sound) exhibit a huge difference in the depth of the image compared with 35mm and the cheap digital formats. Digital is essentially a flat image. There is very little true depth to a digital image even when shot with the best lenses. When you see a film shot on 70mm film and projected on a curved screen in a real 70mm cinema, such as Karlsrhue in Southern Germany, the effect is astonishing. The image becomes so deep that you feel as though you could walk into it. It's real 3D without the need with glasses. When it comes to the art of cinema, 70mm is the real thing. Since 1958, everything made on anything less than 70mm is just a gimmick, snake oil peddled by hucksters.

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